Matt Harvey is an adg production designer for
Mercedes | T-Mobile | Netflix | Delta Airlines | Spotify | Microsoft | HBO | Walmart | Rolex | Sketchers | Disney | Yahoo | Kayak | GMC | Volvo | Beats | Anchor by Spotify | Coinbase | Fox | Nintendo | Riot Games | Schwab | DGDG | Redfin | Genesys | Bark Box | Amazon Studios | Snapchat | Tivo | Oracle | Andersen Windows | GitHub | Food Network | Facebook | Nissan | Bol & Branch | Fisher Price | Verizon | Capital One | CVS Pharmacy | Chrysler | Honda | Wings Financial | Pepsi | Toyota | Dodge | Budweiser | Humira | Samsung | Lyrica | Jeep
About
Matt Harvey ["Harvey"] is a Los Angeles-based production designer with nearly two decades of experience building worlds across film, television, and commercial production. Starting as a production assistant and advancing through virtually every role film production has to offer, he brings a ground-up understanding of what it takes to realize a creative vision; from the first sketch to the final frame. His work spans continents, genres, and scales, with deep roots in Los Angeles and New York, and production experience across the United States, Mexico, and Turkey.
Production Design lives at the intersection of art and anthropology. Every project begins with an inquiry into what makes a world authentic, functional, and alive. Whether constructing an elaborate set build or transforming an existing location, the goal is always the same: create an environment that feels inevitable.
His commercial work reflects this rigor at the highest level. Campaigns for Microsoft called for an eclectic range of hand-built worlds, a Spotify campaign conjured a fully realized 1950s B-movie Mars on a lean budget, and a landmark Rolex project shot across three continents, required both artistic precision and global logistical command. An award-winning filmmaker and specialist in set construction at any scale, Harvey works in SketchUp, Rhino, Illustrator, and Photoshop to collaboratively problem-solve and visualize. He is actively expanding into feature film and television, bringing the same rigor, resourcefulness, and anthropological curiosity that has defined his career from the start.
When he is not Production Designing, he can be found collaborating with artists on installations, designing and building furniture, or playing Polo, his second greatest love behind a career in film.